Easter 2013
ENRIQUE GRANADOS:Danzas espanolas, Op.37, No.2, Oriental Born in the ancient Russian village of Murom in 1920, pianist Oleg Boshniakovich began his musical training with his aunt, Anna Klekova, a celebrated teacher in Murom. In 1934, Boshniakovich moved to Moscow and entered the Central Music School of the Moscow Conservatory, and then into the Conservatory itself - studying with Professor Konstantin Igumnov. Following a brief interruption brought upon by the Second World War, Boshniakoich resumed his studies with the legendary pianist Heinrich Neuhause.The Easter Tales, Here comes Peter Cotton Tail, Easter Party Music
Penderecki, Krzysztof, 1933- Utrenja. The entombment of Christ. RCA Red Seal [1971] Stefania Woytowicz, soprano; Kerstin Meyer, mezzo-soprano; Seth McCoy tenor; Bernard Ladysz, Peter Lagger, basses; Temple University Choirs; Philadelphia Orchestra; Eugene Ormandy, conductor; sung in Old Slavonic.
VALERI KIKTA:Easter Chants of Old Russia, Resurrect, O the Lord Valeri Kikta (October 22, 1941, in Vladmirovka, a village near Donetsk, Ukraine) is a Ukrainian classical composer. He was educated at the Moscow Choral College, then at the Moscow Conservatoire under Semyon Bogatyryov and Tikhon Khrennikov. On the recommendation of Shostakovich he moved on to post-graduate study. Kikta's compositions include ballets, symphonic, organ and choral works. These include Beyond the Verge of Darkness for tenor and orchestra, and Frescos of the St. Sofia Cathedral of Kiev for harp and orchestra. He was recorded extensively by the USSR state recording company, Melodiya in the 1970s and 1980s.
The Easter Tales, The Bunny Hop, Easter Party Music
Bach, Johann Sebastian, 1685-1750. Oster-Oratorium. Easter oratorio, BWV 249. Angel [1966] Teresa Zylis-Gara, soprano; Patricia Johnson, alto; Theo Altmeyer, tenor; Dietrich Fischer-Dieskau, baritone; South German Madrigal Choir: Southwest German Chamber Orchestra; Wolfgang Gönnenwein, conductor.
ANATOLY KISSELEV:Stichera of the Easter Stichera of the Easter Work Large Choir of Belorussian Radio and TV Chorus/Choir, V. Rovdo Conductor Anatoly Kisselev was born in Moscow in 1948, and received his training at the Moscow State Choral School (1955-65), studying with Alexander Sveshnikov, Nikolay Demyanov, Victor Rovdo, and Alexander Flyarkovsky; as well as at the Moscow Conservatory (1965-70), studying orchestration and composition with Alfred Schnittke - who recommended Kisselev to the Soviet Union of Composers.
The Easter Tales, The Easter Parade, Easter Party Music
ALEXEY LARIN:Russian Passion, oratorio for soloists, choir, organ and percussion (1994), 14.Easter 15. Alleluia Kapella Moscow Kremlin Chorus/Choir Gennady Dmitryak, Conductor
The Easter Tales – Eggbert The Easter Egg, Easter Party Music
SERGEY LIAPUNOV:4 Songs, Op.14, 4.Vostochnïy romans (Eastern Romance)Vladimir Miller, Bass S. Uryvaev, Piano
The Easter Tales – My Choc'late Rabbit, Easter Party Music
SERGEY RACHMANINOV:Suite No.1 for 2 Pianos, Op.5, 4.Easter Turkina Duo Julia and Galina Turkina formed perhaps the most celebrated piano duo in Russia, with an active performance career spanning from 1937 to Galina's death in 1999. Both studied piano at the Central Music School in Moscow, where their principal teachers were Vasily Argamakov, Konstantin Igumnov, Ilia Kliachko, and Alexander Goldenveiser. During their illustrious careers they worked closely with a number of important composers - including Dmitri Shostakovich and Aram Khachaturian, often collaborating in preparation of a new work. Among the composers who have written works expressly for the Duo include Sergei Evseev, Vasily Argamakov, Nikolai Peiko, and American composer Jon Appleton.
The Easter Tales – The Funny Little Bunny With The Powder Puff Tail, Easter Party Music
NIKOLOAI RIMSKY-KORSAKOV:4 Songs, Op.2, 2.Vostochnïy romans: Plenivshis' rozoy, solovey (Eastern Song: Enslaved by the Rose, the Nightingale) Margarita Mamsirova A multi-faceted talent,with professional skills, a rare tone of voice - coloratura mezzo soprano, artistry and bright appearance allowed MB Mamsirovoy to gain true recognition and the opportunity to act in the best opera houses in Russia and Europe. MB Mamsirova is the recipient of many awards and the student of opera singers. In 1999 she received the Russian theater award "Magic rocker" (Moscow) as "Best Actress" for his performance as Laura in the opera "The Stone Guest" by Dargomyzhsky. The repertoire of the MB Mamsirovoy includes a large number of complicated opera roles of Russian and foreign composers, including highlights of Carmen ("Carmen" by Bizet), Rosina ("Barber of Seville" by Rossini), Cinderella ("Cinderella" by Rossini), Delilah (" Samson and Delilah "Camille Saint-Saens), Olga (" Eugene Onegin "by Tchaikovsky), Laura (" Iolanthe "Tchaikovsky), Amneris (" Aida "by Verdi), Lyubasha (" The Tsar's Bride "by N. Rimsky-Korsakov), Eboli ("Don Carlos" G. Verdi), Marina Mnishek ("Boris Godunov" by Modest Mussorgsky) and many others. MB Mamsirova leads an active concert and touring schedule. Included in The repertoire of Mamsirovoy, along with the world of classical vocal literature, are Circassian folk songs,which the singer who performs with special awe and affection. In 2001 M. Mamsirova took part in a gala concert dedicated to the 10th anniversary of the founding of the Republic of Adygea with a brilliant solo concert at the State Philharmonic of the Republic of Adygea. In 2002 she performed in the city of Maikop, a joint solo soloist with the Bolshoi Theatre of Russia Roman Muravitsky tenor, and in 2006 took part in the concert in which artists celebrated the 15th anniversary of the founding of the Republic of Adygea, as well as performing a solo concert, which is dedicated to her native land. For her great contribution to the development of musical culture of the Republic of Adygea Mamsirovoy was awarded the honorary title "Honored Artist of the Republic of Adygea."
King's College Choir, Cambridge – Jesus Christ is risen today (Easter Hymn), 100 Best Hymns
RIMSKY-KORSAKOV: Russian Easter Overture, Moscow Symphony Orchestra, conducted by Ken Moss
Swedish Chamber Orchestra – Oratorium Festo Paschali: Kommt, eilet und laufet (Easter Oratorio), BWV 249: Oratorium Festo Paschali: Kommt, eilet und laufet (Easter Oratorio), BWV 249: II. Adagio Johann Sebastian Bach – Bach: Oboe Concertos
PAVEL TSCHESNOKOV:Easter Prayer, Academy of Choral Arts, Moscow Chorus/Choir, V. Ladjuk Voice, Viktor Popov Conductor
Iraida Yusupova, Composer From Faust's Fragments Easter Angel's Choir (text by Boris Pasternak) Yusupova, Iraida, Piano Ave Maria Chamber Ensemble Goodkov, V. Voice (Taped), Dmitry Cheglakov, Cello
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